Choose from any of the eleven Motion Recognition algorithms and compare their effects in Post Processing. Tip: Double-clicking sets an algorithm back to its standard value. Long-time exposure: This process determines the average for every pixel in a shot to simulate a type of long exposure.
On the right-hand side (at the very top) in Post-processing you will find the 1:1 magnifying glass. The magnifying glass shows you the area the cursor points to in a 1:1 pixel view. When clicking on the magnifying glass the new compare-window will appear, comparing your edited image and the original image.
Locating presets can be difficult when you have imported presets or created many additional looks. If you enter “filter” into the search bar, only presets relating to “filter” will be shown, for example “Gradient filter” or “Colours Red filter”.
The variation browser allows you to choose from different versions of a function and is primarily operated using the mouse: Shifting the segment: hold down the left mouse button before moving the mouse Zooming in
Directly after uploading your images, you will find yourself in post-processing. Here, you can start editing the results with filters and effects
Often, you are confronted with objects that have elements of the background situated within them that need to be removed. Typical examples are photos in which people have their hands placed on their hip
You can change the curvature of the cropping-mask via the curve window. By clicking on the curve, additional adjustment points can be added so that the curve can be variably adjusted.
If the chromakey-matting result has flaws, you can use the following parameters to refine the result: Feather Brush Adds individual pixels to the mask and ensures a softer transition from the foreground to the background.
The following settings and parameters are available in matting-mode for cropping, using stroke-based-matting and inside/ outside edge matting: The polygon-tool was already explained in chapter 3.1
Use this method to crop images that have a white, gray, or black background. This method can also be used to crop out areas of an object that also belong to the background. First Application Example — Cropping Objects on White Surfaces Select your image from album
In order to crop objects with a monochrome green or blue background in CutOut 9 professional using chromakey-matting, select the desired image in album-mode and click on chromakey in the menu bar.
Inside/Outside Edge Matting is the right choice when it comes to cropping objects from images which do not possess a strictly monotone background or are similar in color to the background itself
ENOISE projects 2 professional offers a wealth of different filters, so that the best result can be achieved for every image with the least amount of effort. Here, you can choose between a total of 69 post-processing effects
You can find the plug-ins on the start-screen within the file „Plug-ins“. Here, choose the file that corresponds to your Photoshop version (in the following example, Photoshop CS6 is selected). Double-click on the .zip-file to unpack the plug-in
You will find the erase "scratches & sensor errors"-button on the right-hand side and at the very bottom of the section „Finalise“. This isn’t without reason.
The following example will introduce the program in more detail: Galaxy M31 – Andromeda. A sincere thank you at this point to Markus Jane who provided the astro-image-sequences.
The area of the channel display serves as an optical analysis of your image. Tip: Pay attention that the real-time calculation mode in the tool bar at the top is active, so that the display can be updated.
Automatic mask adaptation to the adjustments of distortions from RAW modules. The selective drawing and the RAW module work directly with one another. This includes the distortion corrector located within the RAW module.
The selective drawing tool of DENOISE projects 2 professional should be given special attention. With this tool, you can edit in selected areas of an image without having to create complicated masks by hand in other image editing programs.
The RAW-module is an integrated RAW-processor for your camera RAW-files. To open the module, simply click on the “RAW” symbol located in the tool bar. There are 9 different control settings in this module:
Denoise projects 2 professional comes with many new features and functions – compared to the previous version. Check the list below to see all features in one place: – Filter plug-ins for Adobe® Photoshop (from CS6) and Photoshop elements
When it comes to the field of RAW development, FRANZIS has delivered a batch of new features and thoroughly improved previously existing functions.
Another addition worth mention is the automatic Ghosting Correction Optimization. After adjusting various Ghosting slide control settings in the last software version, constantly viewing the image outside of preview mode was quite often necessary for observing visible changes.
My first impression on using this software was that it presented a lot of choices
In each individual image within this collection of images, an ambulance is displayed at different intervals while driving over the bridge.
As with any HDR, it begins with proper bracketing. With this design you might think that an HDR would be unnecessary anyway and the whole picture could also be done with an exposure. Think again! The devil is in the details, especially here.
HDR algorithms in graphical comparison with the variants browser. These days, image post-processing is simply a must for any photographer
Premiere: new spectral sensitivity for black & white processing In BLACK & WHITE projects 4, you can now adjust sensitivity to emulate colour filters in your resulting images
Make your photos look really old! The vintage look is in, and it has been for quite a while! Back in the 90s there was a huge Lomographie hype that has come back again in recent years
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